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X-WR-CALDESC:Events for Independent Theater Hungary
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DTSTART;TZID=Europe/Budapest:20261017T190000
DTEND;TZID=Europe/Budapest:20261017T200000
DTSTAMP:20260903T120310Z
CREATED:20260903T120310Z
LAST-MODIFIED:20260903T120310Z
UID:4434-1792263600-1792267200@independenttheater.hu
SUMMARY:Who laughs last?
DESCRIPTION:Füszi’s very first stand-up night! \nRoma and non-Roma girls on the same stage – hard-hitting stories\, dangerous honesty\, and four harmless women. \nWomen doing stand-up? Of course! Budapest has never seen performers this brave and outspoken.   \nIf you’ve never been to a stand-up show\, this is the time.If you have\, this night will take it to the next level – don’t be fooled by the stairs leading down to the stage.  \n  \nThe production was supported by the European Union.
URL:https://independenttheater.hu/en/events/who-laughs-last/
LOCATION:Füszi\, Páva u. 30\, Budapest\, Hungary
CATEGORIES:Current play,Who laughs last
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DTSTART;TZID=Europe/Budapest:20261028T190000
DTEND;TZID=Europe/Budapest:20261028T203000
DTSTAMP:20261013T072646Z
CREATED:20261012T152156Z
LAST-MODIFIED:20261013T072646Z
UID:4636-1793214000-1793219400@independenttheater.hu
SUMMARY:Maria Nasr: The princess who cried sand
DESCRIPTION:Maria Nasr: The princess who cried sand\nPerformance in english and arabic\, with english and hungarian subtitles\, 70 min\nMaria\, an Egyptian artist living in Budapest\, has been living for years without refugee status\, trapped in a gray zone – and now\, she takes the narrative of her life story into her own hands in her monodrama\, The Princess Who Wept Sand. \nThe story follows the journey of a girl\, escaping her home after being abused and her life being threatened\, seeking refuge in another country. The storyteller is accompanied by sand on the stage\, a material that becomes a muse\, a tactile invitation to immerse\, and a co-performer that helps to tell the moments where words fail.  \nInspired by the performer’s own life\, this fairytale for adults tells the story of the struggles of fleeing and how trauma and immigration policies can steal years from the lives of people. \nPerformed and written by: Mariam Nasr (she/her\, Egypt) \nDirector: Napsugár Trömböczky (they/them\, Hungary) \nSong cover: Sarah Diefallah \nIllustration on the magazine: Köllő Zsuzsanna \nEmbrodiery: Sarah Diefallah\, Jahn Izabella\, Nina Fetulina\, Gabriella Caceres\, Mariam and Napsugár \nFotos: Gábor Sorok \nAnimation and videos: Napsugár Trömböczky \nThis performance was made possible through the support of the Goverment of Erzsébetváros’s equal opportunities grant\, in cooperation with the Hungarian Helsinki Committee\, which provides legal representation for Maria. \n  \nFor more information click here: Facebook esemény – A homokot könnyező királykisasszony \nTickets available HERE.
URL:https://independenttheater.hu/en/events/maria-nasr-the-princess-who-cried-sand/
LOCATION:Füszi\, Páva u. 30\, Budapest\, Hungary
CATEGORIES:Current play
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DTSTART;TZID=Europe/Budapest:20261120T190000
DTEND;TZID=Europe/Budapest:20261120T213000
DTSTAMP:20260903T120716Z
CREATED:20260903T120716Z
LAST-MODIFIED:20260903T120716Z
UID:4431-1795201200-1795210200@independenttheater.hu
SUMMARY:Disruptors of a Regime
DESCRIPTION:Tickets\n  \nSándor wants to be a free filmmaker\, but the Eastern European dictatorship he lives under has other plans for him. The state dictates his professional work\, his social life and even invades his bedroom.  \n  \nHow can a young person from an impoverished Roma village become successful? How far can an artist go before the authorities silence them? What would you do if the state interfered in your work and private life? How can a filmmaker become truly successful in an age of socialism with its watchful eyes?  \n  \nCaution! The System Destroyers lecture contributes in some way to expanding our historical knowledge. Don’t worry\, this story won’t be in the textbooks either. At the same time\, it is necessary for us to face our common past\, present\, and move forward.    \n  \nThe people and events depicted in the show are fictional\, but a significant portion of the stories presented are true. The show was inspired by real people whose struggles deserve respect.
URL:https://independenttheater.hu/en/events/disruptors-of-a-regime/
LOCATION:Füszi\, Páva u. 30\, Budapest\, Hungary
CATEGORIES:Current play,System destroyers
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DTSTART;TZID=Europe/Budapest:20261211T210000
DTEND;TZID=Europe/Budapest:20261211T220000
DTSTAMP:20260903T120918Z
CREATED:20260903T120918Z
LAST-MODIFIED:20260903T120918Z
UID:4430-1797022800-1797026400@independenttheater.hu
SUMMARY:Gipsy\, but decent
DESCRIPTION:Tickets\n  \nEveryone has heard\, or perhaps even said\, something about someone: “Gypsy\, but cool!” Rudi has heard it too. About himself. These three words\, intended as recognition\, contain a surprising amount of meaning on both a personal and social level. What impact do these three words have? What does it take to overcome our prejudices\, and can we overcome them completely?
URL:https://independenttheater.hu/en/events/gipsy-but-decent/
LOCATION:Füszi\, Páva u. 30\, Budapest\, Hungary
CATEGORIES:Current play,Rudolf Forgács: Gypsy, but cool
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